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Genevieve

by Fust

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beppoid
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beppoid Hey you Fust folks, the First piece, Genevieve, convinced me so much. I like your music very much, especially the Steal pedal, but actially all. Greetings Fromm Frankfurt, West germany Peter Favorite track: Genevieve.
benschaefer
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benschaefer The sound is so kind and gentle. Swelling and triumphant. And the writing reminds me of the specificity of Jon K Samson or early career Ben Nichols. Favorite track: Violent Jubilee.
Ur Trommler
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Ur Trommler Fantastic!! Found on another music site, listened constantly and then bought myself a CD. In constant rotation - so so well done!! Favorite track: Town in Decline.
jackbinkerd
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jackbinkerd I found Evil Joy about 2 years and can’t even remember how I heard it. Been keeping that record on repeat for quite some time. Now with Genevieve, it’s just an extra hour of evil joy and I love it.

Favorite track: Violent Jubilee.
James Champion
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James Champion singin for the downtrodden, the hopefuls, the messy but gentle try-hards…

this album shines in turns of very bright and softly dim, but it’s the little, easy to miss moments that make it so special. If you give these songs your full attention, you will grow far and wide Favorite track: Oil Leak.
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  • Record/Vinyl + Digital Album

    Pressed in Asheville NC by Citizen Vinyl

    Artwork by Sasha Popovici, Layout by Aaron Dowdy

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  • Limited Edition Compact Disc
    Compact Disc (CD) + Digital Album

    High resolution CD via Atomic Disc

    Artwork by Sasha Popovici
    Layout by Aaron Dowdy

    Includes unlimited streaming of Genevieve via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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  • Limited Edition Cassette
    Cassette + Digital Album

    High bias cassette dubbed at National Audio Company.

    Artwork by Sasha Popovici
    Layout by Aaron Dowdy

    Includes unlimited streaming of Genevieve via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Sold Out

1.
Genevieve 02:25
Headed out to California
 But before I go know I did adore you 
And it wasn’t hard no 
Don’t let them tell you so
 I wish I could assure you
 Like the paint on the ragged road
 And the dam below
 Okay maybe it was hard to know you
 But did you know me, Genevieve? When rarely did I speak For fear that you might think Me damaged in my need To think you family Headed out to California But before I go know I did adore you But did I know you Genevieve? I couldn’t read your plea Did your eyes say not to leave? With fear you’d overreach And think me family
2.
Violence and jubilation
 Violence and jubilation 
Violent jubilee
 Headed out from airport city 
All the way to airport city 
Oh I hope there’s silence plenty 
Silence down in Silent City
 Cause then it’s up to Family Country 
Where supplies are running low
 And the girl in black is pregnant
 I can’t stop watching how she shows
 When she strolls past John and Angel’s
 Where the wind chime blows
 And the cold’s pumped from their trailer 
Out the window through a hose

 Violence and jubilation
 Violence and jubilation 
Violent jubilee

 John and Angel let me sleep in their backyard
 On days I can’t take the heat
 They’ve never had one of their own 
I think they like me in their keep, now But don’t it feel like nothing’s happening
 And don’t it feel like that it should
 This town’s been stamped in the floor mats
 I used to think that was good
 But Silent City’s just a drive away
 For when I’ve had enough of the empire state
 Tell me where will your child be raised
 And do I love you just enough to stay? 

Violence and jubilation
 Violence and jubilation
 Violent jubilee
 Can you hear that distant thunder? 
Is it a pack or beaten banner? 
I don’t know if i can remember
 How these violences made me dimmer 
But I’m so thankful I don’t take in much 
I don’t think, don’t see, don’t hear enough 
I used to be a child once, and all that’s left of
 Is a way to shut down when it gets too rough, but 
I like driving with the odometer busted
 When I know the stars are gonna fall any minute
 and I’m ready to burn up with it
 I’m ready to receive my hurt Violence and jubilation
 Violence and jubilation 
Violent jubilee
3.
At least the house stays warm when it’s ten below
 And Sarah’s cooking in the front room to the morning show and When it’s over I’ll clean the gutters and I’ll rehearse the news 
Then I’ll burn out and look at you
 What else is there to do?

 Except to throw the hammer around 
Since the plant closed down
 There’s not much to do now but we keep trying anyhow 
Like walking the abandoned roads I used to grind
 Well now you get me overtime
 Next year I’ll do us right
 Hard as silver, hair like pine
 I’m fine loving you all the time
 Let’s sing that worn song just one more time 
And I’ll shine
 Like the lights of a town in decline
 The lights of a town in decline I’ll bring candles, we can celebrate
 The paper plates are fine

 Yeah we had no money and paid no mind, you know how this one ends
The road wasn’t closed and the country seemed open 
Then we had kids…
 I told a friend in need stay poor in all but company
 And you’ll be fine, you’ll be fine We did not mean to stay here, it did not fit our pride 
But nothing you could say to me could make me leave this town behind I’m going out, I’m taking you with me 
I’m gonna climb the road salt pile on Bridge Street
 It’s a beauty, well
 Happy Birthday, Sarah Lee
4.
Trouble 04:15 video
If you say come home 
I'll find a way
 And if you say come home
 I'll take a Maine or Pennsylvania Train
 But if you need to know Why I’m away I cant say I know I let an old enemy trade places with me Trouble, old friend from olden mind Came asking round to find Whose gotten worse and who got better Trouble, so gentle on my eyes Don't act like you're surprised By whose gotten worse and who got better Cause I know it'll never be me, no So if you say come home I'll find a way to get better for us I'll go dancing, do anything, embarrass me But if you need me whole I can't I won't I'm doubled Loaded in New England Where an old enemy traded places with me Trouble, been around a time or two I hear I’ve been a fool Who’s gotten worse while you got better Trouble, so hard on my age I’ll try it, I’m afraid If I can’t get worse I guess it’s better But I know it'll never be me, no If I get drunk I’ll do something I didn’t think I had it in me But I’d probably like it Oh I know I’d like it Doing the wrong Though it’s best left imagined If I get married in hurry I know I can be annoying But I think you’d like it Oh I hope you’d like it All of my wrongs Though they’re best left imagined If you say come home… yeah
5.
Late Hour 02:30
Didn’t know it’d be the late hour, late hour this time
 Didn’t know we’d work the late hour, late hour tonight
 Didn’t know it’d be this hard, didn't know it’d be this hard Yeah the factory wall came tumbling the yard
 And the town cheered, burned up their timecards
 I bet this year it’ll be hard, bet this year it’ll be heard 
But something in your eyes is keeping me alive and running
 And every ounce of hate is keeping me awake and running
 Cause I can take the late hours if you’re with me
 I won’t break, won’t fall down if you’re with me
6.
Rockfort Bay 01:55
Do up your best tonight 
I am taking us to shoreline
 I am ask you for small life
 Do up your best tonight
 I am praying we do not fight
 I'm thinking we'll be alright 

But don't you ever get to thinking?
 Don't you ever get to thinking...

 Cause I’ve got a bad feeling
 I’m never gonna change 
When I leave Rockfort Bay
7.
Open Water 03:57
It's a mystery what you said to me It sounded like an ode to open water You said I got a love too deep to bother And even if we are start to drift apart it'll be just as it oughta 
I've got no low in my rock bottom
 But don't you know the road won't let the load go
 Sitting there waiting on a sign to follow You said aid I got enough to get Jackson But I thought I smelled the rose of jericho I thought I heard the rattle of your car door Coming up the driveway I think it might snow
 Who am I to know what goes on below The anger, the remainder, and the harrow I plow my memory, I find some trouble But you found a way to let it go And maybe you've got time inside you but I know I'll go years without any growth Tell me how’d you find my hidey-hole I thought I learned to quieten my rock-n-roll
 Said you rented an apartment Up by the railroad
 But I don’t have the heart to let you know
 that you being gone didn't bother
 me all that much
 No the whole damn band’s coming up tomorrow The sun lights up our city And it writes a little ode to open water Says you can have your distance but can't escape the ether So what I want more than anything better Is a little old home to call my own Where I like the wallpaper and what the sun's done to it
8.
Oil Leak 04:06
I was hiding away, true to form
 Then you appeared from nowhere chewing cork 
And when you spit at me I couldn’t love you more 
I wish I didn’t dread to be explored 
But if I’m too far gone when you find me
 Let me sleep in the oil leak
 I try not to give you what I can’t give you
 Though sometimes I speak with a voice ignored 
But I swear despite my con you know me 
Just an underbody, tired and rusty
 But if I’m too far gone when you find me
 Let me sleep in the oil leak
 And sometimes you seem lonely 
Used to make me think you came from money 
But your mom’s worked two jobs since the late nineties
 Not for you just to make it out but to make it out lovely 
But if I’m too far gone when you find me 
Let me sleep in the oil leak
 Okay now here comes Jimmy with the silent crew 
I’m gonna talk too much, you know I do… 
But I love them all, my brothers blue 
And sometimes angels pass through too
 But if I’m too far gone when you find me
 Let me sleep in the oil leak
 When I stop talking Jimmy gives it to me straight 
He says you mistake your care for pain 
And the ways that you’re messed up you know they ain’t
 Just a part that you get to sometimes play
 But if I’m too far gone when you find me But if I’m too far gone when you find me 
Let me sleep in the oil leak
 Let me sleep off all of my drunk
 Let it be sweet
 Let me sleep in the oil leak
9.
Searchers 02:05
Drag the river, we’ll be here for days What we’re looking for is difficult to say What could have been? Is it under every leaf? Is it hiding in the walnut tree? Gonna trash the house, in search of what we’re losing What we’re looking for is difficult to say But it feels good to be a part of a greater kind of looking Gonna be a searcher for the rest of my days Drag the river, feel alive tonight If you need something you know we’ll help you find Was it last seen in your double wide? Is it dying and trying not to die? Did you lose it or did it never have a name? What we’re looking for is difficult to say But it feels good to be a part of a greater kind of looking Gonna be a searcher for the rest of my days
10.
Did I hear them say you got a job for the county? 
Don’t mind my hard face I take this news proudly 
But I guess those days are done when you’d come around to see me Oh your sister is worried, says the quiver’s been growing
 My fault I fear, can i come near
 Though I know you’re okay
 You’re so gentle when you’ve hurt all day
 Is it true what they say, are we better off this way? 
Got your legs on the couch, no I cannot sit down
 Though there’s nothing I want more
 I just came by knowing there’d be nothing more
 Oh your bed is curved like it’s only held one force 
And buckled under the weight as it tries to stop your course
 But I know you’re okay
 Your books stacked up tall, I’m in awe, and regret everything
 How’s Sam? 
He always loved you better than… 
 …You take my hand
 The hurt makes you gentle your sister is worried and I’m falling
 It’s a hard recipe for a clown like me
 Don’t use the front door
 No the bike rests on the knob
 You should park on Fourth, you know the neighbor likes to talk 
And I don’t work til 3
 Guess it’s my turn now to find a way to meet
 Light pours in the kitchen on your mother’s hutch 
Why’s it always hard, I’ve forgotten how much
 I love you though I would never tell you and you would never tell me Oh your sister is worried I take Sam for a fool
 And I don’t know what I want
 But that’s what we do Your legs on the couch
 Take me down
 Take my will out of consideration
 I thought you’d want what i want
 This song plays hard on the place that I knew you were dark 
I was just trying to tell you how proud I am but 
You should keep the painting of the harp
 And we’ll never know what keeps us 
Keeps us apart

about

Fust’s first record Evil Joy was a self-described bitter domestic drama obsessed with the kitchen-sink passage of time measured by moments of leaving, returning, leaving, and returning. With Genevieve, we find a different kind of leaving: leaving behind, leaving one’s old ways, starting anew, a small life together, in “Family Country.” Thus, Genevieve: an historical name for both the saintly and the ordinary, the peasantry and the family, the community and the wife, extreme devotion and absolute forbearance. While sonically and instrumentally louder than Evil Joy, Genevieve is thematically more quiet about its pains—more settled in its ways. It is a collection of pathetic love stories written in dedication to “small life,” moving from gentle exceptions (“I can take the late hours if you’re with me”) to pitiful admissions (“I’m never going to change when I leave…”). What comes with a quiet life? The highest forms of beauty, but we also find here songs of unspeaking companions, the sublime dread of having children, the balance of humility and humiliation, playing the fool for the greater good, and… budget birthday parties. With these stories of possible growth, Genevieve can’t help but also feature tried and true examples of crisis and repression: seeking a bygone lifestyle in an old friend who hasn’t changed much over the years, pissing contests, search parties as the form of community for melancholics with no clue what they’ve lost, old flames you won't let go and dying flames you won’t admit. Genevieve is a road movie and a local theatrical production of and by a community struggling to hold itself together, a record of too many names and too many places: Sarah Lee, John and Angel, Jimmy, Sam, Rockfort Bay, New England, California, Jackson, Silent City, Bridge Street, Fourth Avenue, and of course Genevieve. How do we keep up with everybody, how do we stay close to those we love? Can we begin to understand the most difficult thing, that the better the worse?

Genevieve is the studio debut of Fust, recorded throughout 2022 and early 2021 (mostly) at Drop of Sun recording studio in Asheville NC. It was engineered, mixed, and mastered by the great Alex Farrar. You can hear his patience in every corner of this record. The painting by Sasha Popovici is exactly right: a domestic scene yet unfinished. Many friends helped near and far to make it much better than it was without them—Xandy Chelmis, Michael Cormier-O’Leary, Indigo De Souza, MJ Lenderman, Courtney Werner. We hope you enjoy it.

credits

released June 16, 2023

Songs by Aaron Dowdy

Performed by Aaron Dowdy, Avery Sullivan, Oliver Child-Lanning, Justin Morris, John Wallace, Frank Meadows, Indigo De Souza, MJ Lenderman, Xandy Chelmis, Michael Cormier-O'Leary, Courtney Werner, Alex Farrar, Sasha Popovici

Recorded at Drop of Sun in Asheville, NC

Mixed, Engineered, Mastered by Alex Farrar

Art by Sasha Popovici

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